John J. Earley’s Mosaic Concrete Art

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Title: John J. Earley’s Mosaic Concrete Art

Author(s): Robert F. Armbruster

Publication: Concrete International

Volume: 41

Issue: 3

Appears on pages(s): 27-35

Keywords: color, polychrome, pebbles, plaster

DOI: 10.14359/51715605

Date: 3/1/2019

Abstract:
John Earley created beautiful architectural concrete with colors that came from the optical effect of the exposed crushed pebbles and sands. His palette of colors comprised 10 hues, five values from light to dark, and four chromas or intensities, resulting in 200 colors. Earley’s polychrome mosaic concrete projects included church interiors, campus decorations, reptile house at the zoo, residential houses, and murals. His studio continued his work after he passed away in 1945.

Related References:

1. Earley, J.J, “Architectural Concrete of the Exposed Aggregate Type,” ACI Journal Proceedings, V. 30, No. 3, Mar.-Apr. 1934, pp. 251-278.

2. Cron, F.W., The Man Who Made Concrete Beautiful: A Biography of John Joseph Earley, Centennial Publications, Ft. Collins, CO, 1977, 64 pp.

3. Earley, J.J., The Concrete of the Architect and Sculptor, Portland Cement Association, Chicago, IL, 1926, 11 pp.

4. Earley, J.J., “What Concrete Means to the Craftsmen Who Are Entrusted with Interpreting Architectural Design,” Substance, Form & Color Through Concrete, Atlas Portland Cement Company, New York, NY, circa 1924, 44 pp.

5. Earley, J.J., “Decorative Concrete,” Engineers and Engineering, V. 48, No. 7, July 1931, pp. 158-162.

6. Earley, J.J., “Architectural Concrete,” ACI Journal Proceedings, V. 20, No. 2, Feb. 1924, pp. 157-167.

7. Blaha, W.J., “Earley Studio: Precasting’s Trademark of Quality,” Concrete Products, July 1969, 6 pp.

8. Leek, J., “Painting War’s Panorama,” The Baltimore Sun, May 9, 1971, p. 23.

9. Earley, J.J., “The Characteristics of Concrete for Architectural Use,” ACI Journal Proceedings, V. 35, No, 4, Apr. 1939, pp. 385-389.

10. Earley, J.J., “Architectural Concrete,” ACI Journal Proceedings, V. 22, No. 2, Feb. 1926, pp. 513-534.

11. Murphy, F.V., “What Concrete Meant to the Architect in the Design of the Shrine of the Sacred Heart,” Substance, Form & Color Through Concrete, Atlas Portland Cement Company, New York, NY, circa 1924, 44 pp.

12. Murphy, F.V., “Shrine of the Sacred Heart,” Concrete in Architecture, Portland Cement Association, Chicago, IL, 1927, 59 pp.

13. Taft, L., “A New Art of Concrete; An Address,” ACI Journal Proceedings, V. 19, No. 1, Jan. 1923, pp. 178-184.

14. Earley, J.J., “Mosaic Ceilings, U.S. Department of Justice Building,” ACI Journal Proceedings, V. 31, No. 5, May-June 1935, pp. 557-564.

15. Avery, W.M., “Earley’s Mosaic Concrete Opens Limitless Vistas in Products Field,” The Concrete Manufacturer, Sept. 1944, pp. 131-134.

16. Earley, J.J., “The Project of Ornamenting the Bahá’í Temple Dome,” ACI Journal Proceedings, V. 29, June 1933, pp. 403-411.

17. Earley, J.J., “Architectural Concrete Makes Prefabricated Houses Possible,” ACI Journal Proceedings, V. 31, No. 5, May-June 1935, pp. 513-526.

18. Fischer, H.C., “The Navy’s New Ship Model Testing Plant,” ACI Journal Proceedings, V. 35, No. 4, Apr. 1939, pp. 317-336.

19. Earley, J.J., “On the Work of the Committee on Architectural Concrete of the Exposed Aggregate Type and the Thomas Alva Edison Memorial Tower,” ACI Journal Proceedings, V. 34, No. 5, May-June 1938, pp. 589-602.

20. McDaniel, A.B., and Haney, P.E., “Interior Ornamentation of the Bahá’í House of Worship,” The Bahá’í World: A Biennial International Record, Volume XII, 1950-1954. Bahá’í Publishing Trust, Wilmette, IL, 1956, pp. 533-539.

21. “Brittany American Cemetery and Memorial,” The American Battle Monuments Commission, Arlington, VA, n.d., 36 pp.

22. “Plasterers Make Battle Maps,” Plaster & Cement Mason, June 1970, p. 3.

23. Zoellick, S., “Vietnam Maps to Become Part of National Cemetery,” Star Advertiser, Nov. 11, 2011.




  

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